Karl Marx’s Communist Manifesto in February 1848, comes a new film from celebrated director Raoul Peck. His previous film, the documentary I Am Not Your Negro, was a powerful look at the life of James Baldwin, the Civil Rights Movement and black representation in media (read my review here). Peck’s new film The Young Karl Marx premiered at the 2017 Berlin International Film Festival and is coming to theaters soon.
“At the age of 26, Karl Marx (August Diehl) embarks with his wife Jenny (Vicky Krieps) on the road to exile. In 1844 Paris they meet young Friedrich Engels (Stefan Konarske), son of a factory owner and an astute student of the English proletariat class. Engels brings Marx the missing piece to the puzzle that composes his new vision of the world. Together, between censorship and police raids, riots and political upheavals, they will preside over the birth of the labor movement, which until then had been mostly makeshift and unorganized. This will grow into the most complete theoretical and political transformation of the world since the Renaissance – driven, against all expectations, by two brilliant, insolent and sharp-witted young men.”
The Young Karl Marx premieres on February 23rd at the Metograph in New York City and the Laemmle Royal in Los Angeles. National release to follow.
Stations: Upstairs Downstairs TV Drama, Foreign Period Piece Time Travel Destination: Edwardian Era Spain, 1900s Conductor: Carlos Sedes
For fans of Downton Abbey, there is another upstairs-downstairs period drama with just as much intrigue and grandeur. Grand Hotel, or Gran Hotel in Spanish, is a television show from Spain that ran three seasons from 2011 and 2013. Set in 1905 in the Spanish countryside, the story follows the inner workings of a hotel that serves the wealthy elite. Run by the Alarcón family, Doña Teresa (Adriana Ozores) manages hotel with an iron fist. Running the hotel is a family affair along with her daughters Adriana (Amaia Salamanca) and Sofia (Luz Valdenebro) at the helm. The black sheep of the family, son Javier (Eloy Azorin), often disrupts his mother’s Doña Teresa’s tight control over her business. Much like in Downton Abbey, the upstairs family is closely connected with their team of downstairs servants. There is a mutual respect along with a strict code of conduct and high expectations for everyone involved at the establishment. The dynamic is slightly different here because both the Alarcón family and the servants work together to cater to a clientele. I always felt that in Downton Abbey, the Crawley family lacked purpose so it’s nice to see a working family instead.
You could easily call Grand Hotel Spain’s answer to Downton Abbey. This show offers viewers intrigue, murder, mystery, sex, deception all in the beautiful glory of Edwardian era Europe.
Episode 1: The Maiden in the Pond (La Doncella en la Estanque): On the night of the hotel’s party celebrating the installation of new electric lights, chambermaid Cristina (Paula Prendes), whose been accused by hotel boss Doña Teresa (Adriana Ozores) of stealing jewelry, has gone missing. A month later her brother Julio (Yon González) travels to the hotel to find her. Pretending to be the new waiter, Julio infiltrates the Alarcón hotel. Julio is brash and determined to find the truth. He tricks Alicia Alarcón (Amaia Salamanca) into thinking he’s a hotel guest so he can get some information out of her. Alicia has her own problems. Her strict mother Doña Teresa insists that she marry hotel manager Diego (Pedro Alonso) a man she doesn’t love. The news of their engagement upsets Alicia’s sister Sofia who, with a baby on the way, was hoping that her husband would be the next in line. As the first episode progresses we see a rapidly changing dynamics of Alarcón family and we get closer to the truth of what happened to Julio’s sister.
The series is based on an original idea by Ramon Campos and Gema R. Neira and is directed by Carlos Seda. All three have extensive background in producing original television programming in Spain. Like Downton Abbey, Grand Hotel is very much borderline soap opera especially with the various twists and turns the lives of the characters take. While Grand Hotel has its over-the-top moments, don’t expect a telenovela version of Downton because this not that at all. While the first episode lags a bit setting up the concept for the entire show, it quickly picks up in the second half. This is a thoroughly enjoyable period drama that will keep you wanting more.
I enjoyed the attention to period detail and how the hotel ushers in a new era with the reveal of their new electric lights. My husband spotted one anachronism which was Julio’s clip-on bow-tie. Otherwise, the costuming was very Edwardian specific.
Grand Hotel is premiering on the Southern California TV station KCET on Sunday January 28th 10 PM PST and on Link TV (available on DirectTV and Dish) on Monday January 29th 9PM EST. If you don’t have access to either of these channels, you can watch each new episode after it airs streaming on KCET’s website and LinkTV’s website for up to one week. Both channels will be airing all 39 episodes of the show’s original three seasons.
This show has been available on Netflix but in 45 minute increments rather than the 70 minute format that it was originally intended to be. Actress Eva Longoria and Desperate Housewives writer Brian Tanen are currently in the process of developing an English-language version for ABC.
Stay tuned as I’ll have an interview with lead actress Amaia Salamanca posting on this site very soon.
Official Synopsis: The year is 1943 in Nazi-occupied Paris and Django Reinhardt is at the pinnacle of his art. The brilliant and carefree jazz guitarist, king of ethereal swing, plays to standing-room-only crowds in the capital’s greatest venues. Meanwhile his gypsy brethren are being persecuted throughout Europe. His life takes a turn for the worse when the Nazi propaganda machine wants to send him on tour in Germany.
DJANGO stars Reda Kateb, Cécile de France, Beata Palya, and BimBam Merstein. The film is directed and written by Étienne Comar, adapted from Folles de Django by Alexis Salatko. Cinematography is by Christophe Beaucarne and Monica Coleman edits. Django Reinhardt’s music is interpreted by The Rosenberg Trio – Warren Ellis.
1/23 – Playhouse – Pasadena, CA
1/23 – Royal Theatre – Santa Monica, CA
1/23 – Town CEnter 5 – Encino, CA
1/23 – Laemmle Claremont – Claremont, CA
1/23-1/16 – Ahyra Fine Arts – Beverly Hills, CA
Coming to VOD and iTunes on 2/6.